Article

Abstract

Historians have identified George Coleman Poage as the first African American Olympian. Poage won two bronze medals in the hurdles at the 1904 St. Louis Olympics. In that same year, the name of another potential Black Olympian, Joseph Stadler, appeared briefly in a few newspaper stories previewing the games. Stadler clearly competed in St. Louis, winning a silver medal and bronze medal in the now-archaic forms of standing jumps. Whether he should join Poage on the roster of pioneering African American Olympians, however, remains a mystery among Olympic researchers–as does his racial identity. Analyzing the historical record regarding these claims and employing new information from census data and other public records reveals that Stadler was most likely white. His “misidentification,” however, reveals more than just a trivial episode about an inaccurate reading of racial identity from limited sources. The long history of narratives about Joseph Stadler’s identity reveal important patterns about the social construction of race, illuminates the complexities of a more than a century of seeking to depict the Olympics as a fulcrum of racial progress in American culture, and showcases the danger of attempting to read “race” from historic photographs.